Big Man Japan

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Movie: Big Man Japan
Romaji: Dai-Nipponjin
Japanese: 大日本人
Director: Hitoshi Matsumoto
Writer: Hitoshi Matsumoto, Mitsuyoshi Takasum Itsuji Itao
Producer: Akihiko Okamoto, Isao Yoshino, Hiroshi Ohsaki, Hisaya Shiraiwa
Cinematography: Hideo Yamamoto
Release Date: June 2, 2007
Runtime: 113 Min.
'Genre: Comedy
Distributor: Shochiku
Language: Japanese
Country: Japan

Plot

Daisato lives a mundane life in a rundown house tagged with insulting and obscenity-riddled graffiti. This middle-aged slacker seems a puzzling subject to be followed by the documentary crew that films his banal daily routine. That is, until he prepares for his “job.” As bolts of electricity rip through the sky, Daisato is transformed into a stocky giant several storeys high, sporting tight purple briefs, tattoos and an Eraserhead-style hairdo. In his hand is a big stick – for beating the crap out of monsters.

Notes

Welcome to the world of Dainipponjin (which translates as “The Great Japanese”), a sixth-generation superhero defending Japan from outlandish “baddies,” as Daisato calls them. These ridiculous villains include the freak with the comb-over hairdo who pulls down skyscrapers with elastic arms or the revolting beast that lets rip stink clouds equaling the smell of twenty thousand human feces chased by a dash of horny suitor.

Surrounded by mystical tradition and ceremony, his predecessors were national champions feted with parades and cheering fans. Today, Daisato’s battles are broadcast late at night to diminishing ratings. He has become the scapegoat of New Japan, whose citizens bitterly complain about the noise and destruction of property he causes. Daisato has his own problems, including an agent insistent on branding him with sponsor advertisements, an Alzheimer-afflicted grandfather who transforms into a giant in dirty underwear and an ex-wife and daughter who are embarrassed by his often cowardly exploits.

A wickedly deadpan spin on the pop image of giant Japanese superheroes like Ultraman, Dainipponjin body slams with a stinging dry wit that ricochets to ever-higher levels of audacity. Director and star Hitoshi Matsumoto – one of Japan’s biggest comedians, on the same level as Takeshi Kitano – pulls off a whacked-out and imaginative filmmaking debut, yet still hits upon social issues like the loss of the “Japanese spirit,” the country’s diplomatic relations, the family unit and a rapidly aging population. Dainipponjin is an outrageous portrait of a hero – pathetic, but truly unique. -- Colin Geddes