Gou Gou, The Cat

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Plot

Asako, a comic book artist in her early forties, is devastated by the death of her precious cat, Ca Va, which kept her company for over 15 years, as her assistant Naomi watches on with concern. Naomi is a young woman in her early twenties, who has her set of worries about love and future. Then one day, Asako meets a new cat, Gou-gou, which brings new joy and vitality to her life. What is more, she finds potential for love in a man named Seiji. Like Asako, Naomi, too, embarks on a new life plan.

Cast

Goo Goo the Cat-Kyoko Koizumi-01.jpg JuriUeno-GooGoo.jpg Goo Goo the Cat-Ryo Kase-01.jpg Googoo-Naojiro Hayashi.jpg Googoo-Tatsuya Isaka.jpg
Kyoko Koizumi Juri Ueno Ryo Kase Naojiro Hayashi Tatsuya Isaka
Asako Kojima Naomi Seiji Sawamura Mamoru Tatsuya
Googoo-Suzuka Ohgo.jpg Googoo-Asei Kobayashi.jpg Googoo-Chieko Matsubara.jpg Googoo-Ai Takabe.jpg Googoo-Erisa Yanagi.jpg
Suzuka Ohgo Asei Kobayashi Chieko Matsubara Ai Takabe Erisa Yanagi
Ca Va Taisuke Yamamoto Asako's mother Kyoko Erika

Additional Cast Members:

Trailers

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Film Festivals

Comments

  • Comment #1
    Ki Says:

    “Gou Gou, The Cat,” based on Yumiko Oshima’s autobiographical manga “Gū-gū datte Neko de aru,” is the latest film from Japanese director Isshin Inudo. Isshin Inudo is the director of such indie favorites as “Josee, the Tiger and the Fish” and “La Maison de Himiko”. He’s also responsible for the overtly commercial stinker “Yellow Tears.” Having never seen Inudo’s “All About My Dog,” “Gou Gou, the Cat” has a unique feel compared to the other mentioned Inudo films. The movie prominently features a cat in its story line, but never relegates itself to an overly cute storyline that only die-hard animal lovers could love. Rather, the movie features a delicate human interest story that will likely reverberate with a broad spectrum of movie going fans (especially adults) long after the movie is finished.

    Asako Kojima (Kyoko Koizumi) is a talented manga artist in her early forties. She’s currently experiencing a lengthy dry spell in her creative output. The cause of her dry spell goes back to the death of her cat Ca Va, who lived with her for the past 15 years. After fluctuating back and forth on whether to find a new a cat, Asako finally wills herself to enter a pet store. There she comes across an American shorthair silver tabby whom she takes home and names “Gou Gou.” Meanwhile, her manga assistant Naomi goes through a mini-crisis of her own.

    “Gou Gou, The Cat” is told in a minimalistic style, usually calm & never rushed. Kyoko Koizumi’s character interprets the world in the same inquisitive manner as her cherished pet. Always observant of her surroundings she processes the world around her internally, but rarely expresses her emotions. With such a stoic character, the movie needs a counter-balance to Kyoko’s character and this of course falls on the always affable Juri Ueno. Juri provides laughs and her unique goofiness, the kind that we’ve seen in such films as “Swing Girls,” “Summer Time Machine Blues,” “Turtles Swim Faster Than Expected” and “Arch Angels.” Also, although her appearance is modest (casual clothes and not a lot of make-up), she looks as attractive in this film as anything she has done in the past. There’s also Ryo Kase, who turned in a surprisingly off the mark performance in “10 Promises to My Dog,” rebounding with a strong supporting role as Kyoko Koizumi’s love interest. There’s also ex-Megadeath guitarist & now Tokyo resident, Marty Friedman, playing a pivotal supporting role not that far off from Takeshi Kaneshiro’s role in “Sweet Rain.”

    The pacing of “Gou Gou, The Cat” is always laid back, but never feels slow. Imagine if you will, laying out in the sun during a balmy summer afternoon. “Gou Gou, The Cat” uses this type of dreamy feel to tell its delicate story of a woman’s battle with loneliness and how it relates to her pet cats. However, not everything in “Gou Gou, The Cat” is a slam-dunk. The scene in the hospital with the girls performing their cheerleading routine felt flat, probably because we’ve already seen in that in “Hula Girls.” Ryo Case should have been used more and the two male musicians felt like an out of place appeal for commercialism. With that said, there’s a lot to love with “Gou Gou, The Cat.” Kyoko Koizumi and Juri Ueno are both ace in their respective roles, the soundtrack is nearly perfect, and the feel of the movie is as dreamy as anything you’ll come across this year. “Gou Gou, The Cat” is a lovely film that’s impressively refined.

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